Cinematographer Autumn Durald Arkapaw orchestrates six cameras for the live-performance documentary feature Beastie Boys Story.
In the early 1980s, three friends embarked on what
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Mandy Walker, ASC, ACS employs Panavision optics for Mulan, an intimate portrait set against an epic backdrop.
In Disney’s live-action feature Mulan, the eponymous hero
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The filmmakers behind "Yes, God, Yes" recount their journey to bring the feature to fruition
In the early aughts, in a small Iowa town, Alice — a student at the local Catholic
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With "The Kissing Booth 2" and the upcoming "The Empty Man," Anastas Michos, ASC, GSC demonstrates his penchant for working across genres
“What are we going to talk about today?”
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Cinematographer Quyen Tran employs T Series optics and reteams with colorist Ethan Schwartz for the existential time-loop comedy "Palm Springs"
It’s Sarah’s sister’s wedding day
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Shelly Johnson, ASC shoots large-format 8K with DXL and Sphero 65 lenses to captures the close-quarters naval drama "Greyhound"
The World War II action drama Greyhound
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Cinematographer Oren Soffer crafts a nuanced portrait of an intimate weekend for the short film See You Soon
Vincent lives in Los Angeles, Anthony in New York City. They met on a
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Haris Zambarloukos, BSC, GSC helps to ground Artemis Fowl’s high-flying action in a tangible world
Based on the series of novels by Eoin Colfer, the feature Artemis Fowl
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